| dc.contributor.author | Parahita, Gilang Desti (57210184667); Yulianto, Vissia Ita (56100053500) | |
| dc.contributor.editor | - | |
| dc.date.accessioned | 2025-02-11T16:02:07Z | |
| dc.date.available | 2025-02-11T16:02:07Z | |
| dc.date.issued | 2020 | |
| dc.identifier.isbn | - | |
| dc.identifier.issn | 448613 | |
| dc.identifier.uri | https://doi.org/10.4000/ARCHIPEL.1677 | |
| dc.identifier.uri | https://www.scopus.com/inward/record.uri?eid=2-s2.0-85090557702&doi=10.4000%2fARCHIPEL.1677&partnerID=40&md5=7fedadbbf1b77093e3baabffa7e81c44 | |
| dc.identifier.uri | http://digilib.fisipol.ugm.ac.id/repo/handle/15717717/21635 | |
| dc.description.abstract | This article discusses the problematic process of the remediation of social memory on and through YouTube, focusing on the 1965/66 massacre in Indonesia. Despite being a new media and an arena for contesting vernacular memories of the 1965/66 massacre, YouTube is also often used to advance the State narrative, as seen in how YouTube users replicate the film Penumpasan Pengkhianatan G30S/PKI (The Treachery of G30S/PKI) annually to promote anti-communist agendas, as well as how Indonesian filmmakers title their works that deal with the 1965/66 massacre. More broadly, the monumental memory of 1965/66 on YouTube involves three actors: state actors, film communities, and vigilantes. © 2020 Association Archipel. All rights reserved. | |
| dc.language.iso | English | |
| dc.publisher | Archipel | |
| dc.title | The treachery on YouTube: The politics of memory on new media in Indonesia | |
| dc.type | Article | |
| dc.description.pages | 26.0 | |
| dc.description.doi | 10.4000/ARCHIPEL.1677 | |
| dc.title.book | - | |
| dc.link.scopus | https://www.scopus.com/inward/record.uri?eid=2-s2.0-85090557702&doi=10.4000%2fARCHIPEL.1677&partnerID=40&md5=7fedadbbf1b77093e3baabffa7e81c44 | |
