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dc.contributor.authorIstanti, Kun Zachrun
dc.date.accessioned2026-06-02T00:45:19Z
dc.date.available2026-06-02T00:45:19Z
dc.date.issued2012-08-08 00:00:00
dc.identifier.issn2302-9269
dc.identifier.issn0852-0801
dc.identifier.urihttps://jurnal.ugm.ac.id/jurnal-humaniora/article/view/869
dc.identifier.uri10.22146/jh.869
dc.identifier.urihttp://digilib.fisipol.ugm.ac.id/repo/handle/15717717/85003
dc.description.abstractThe receptive analysis of the Hikayat Amir Hamzah (HAH) text shows active response from the readers through the creation of new text such as Serat Menak (Sr.Mn.). The relationship between both of them can be seen in its adaptations into Javanese literature (Sr.Mn.) in which HAH undergoes some changes. The author adjusted HAH to suit the Javanese literary and cultural traditions, e.g. Sr.Mn. is composed in the form of tembang (poetry), the name of the characters are adapted into Javanese culture; there are previously unnamed characters which are given names in Sr.Mn.; the history (background) of some characters is made clearly; and more titles (from pewayangan) are attributed to Amir Hamzah and Umar Umayah.
dc.formatapplication/pdf
dc.language.isoeng
dc.publisherFaculty of Cultural Sciences, Universitas Gadjah Mada
dc.relation.urihttps://jurnal.ugm.ac.id/jurnal-humaniora/article/view/869/716
dc.rightsCopyright (c) 2012 Kun Zachrun Istanti; http://creativecommons.org/licenses/by-sa/4.0
dc.subject-
dc.titleWARNA LOKAL TEKS AMIR HAMZAH DALAM SERAT MENAK
dc.typeArticle
dc.identifier.oaioai:jurnal.ugm.ac.id:article/869
dc.journal.infoHumaniora; Vol 18, No 2 (2006); 114-124


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