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dc.contributor.authorSuganda, Dadang
dc.date.accessioned2026-06-02T00:48:55Z
dc.date.available2026-06-02T00:48:55Z
dc.date.issued2012-08-08 00:00:00
dc.identifier.issn2302-9269
dc.identifier.issn0852-0801
dc.identifier.urihttps://jurnal.ugm.ac.id/jurnal-humaniora/article/view/908
dc.identifier.uri10.22146/jh.908
dc.identifier.urihttp://digilib.fisipol.ugm.ac.id/repo/handle/15717717/85042
dc.description.abstractThis paper attempts to describe the concept of face found in wayang golek discourse. This descriptive and qualitative study is done under the scope of pragmatics. The concept of face to a certain extent determines how a conversation can be conducted efficiently, effectively, and politely. The concept of face in wayang golek discourse yields two concepts namely positive and negative face concepts.
dc.formatapplication/pdf
dc.language.isoeng
dc.publisherFaculty of Cultural Sciences, Universitas Gadjah Mada
dc.relation.urihttps://jurnal.ugm.ac.id/jurnal-humaniora/article/view/908/755
dc.rightsCopyright (c) 2012 Dadang Suganda; http://creativecommons.org/licenses/by-sa/4.0
dc.subject-
dc.titlePEMANFAATAN KONSEP “MUKA” (FACE) DALAM WACANA WAYANG GOLEK: ANALISIS PRAGMATIK
dc.typeArticle
dc.identifier.oaioai:jurnal.ugm.ac.id:article/908
dc.journal.infoHumaniora; Vol 19, No 3 (2007); 248-260


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