| dc.contributor.author | Hendrokumoro, . | |
| dc.date.accessioned | 2026-06-02T00:53:20Z | |
| dc.date.available | 2026-06-02T00:53:20Z | |
| dc.date.issued | 2012-08-09 00:00:00 | |
| dc.identifier.issn | 2302-9269 | |
| dc.identifier.issn | 0852-0801 | |
| dc.identifier.uri | https://jurnal.ugm.ac.id/jurnal-humaniora/article/view/966 | |
| dc.identifier.uri | 10.22146/jh.966 | |
| dc.identifier.uri | http://digilib.fisipol.ugm.ac.id/repo/handle/15717717/85083 | |
| dc.description.abstract | Vietnamese is a complex language as evidenced by the variety of its tones, shapes and meanings. Its complexity is a natural result of the fact that the language belongs to different proto-languages, i.e. Austro-Asiatic, Sino- Tibet, Thai-Kadai and Hmong-Dao. Therefore, it is interesting to study Vietnamese. Vietnamese is a tonal language. Pitch is a crucial part in tonal languages since it helps create suprasegmental phonemes to produce different lexical meaning. To understand suprasegmental phonemes, one must understand segmental phonemes. A tonal analysis can only be done after efforts have been made to reveal segmental phonemes. This article attempts to answer these questions: (1) how to describe the Vietnamese phonological system, and (2) how to describe pitch in a tonal language such as Vietnamese. While the Vietnamese phonological system makes up the segmental phonemes, pitch in Vietnamese language makes up the suprasegmental phonemes. | |
| dc.format | application/pdf | |
| dc.language.iso | eng | |
| dc.publisher | Faculty of Cultural Sciences, Universitas Gadjah Mada | |
| dc.relation.uri | https://jurnal.ugm.ac.id/jurnal-humaniora/article/view/966/803 | |
| dc.rights | Copyright (c) 2012 . Hendrokumoro; http://creativecommons.org/licenses/by-sa/4.0 | |
| dc.subject | - | |
| dc.title | BAHASA VIETNAM SEBAGAI BAHASA NADA | |
| dc.type | Article | |
| dc.identifier.oai | oai:jurnal.ugm.ac.id:article/966 | |
| dc.journal.info | Humaniora; Vol 21, No 2 (2009); 188-202 | |
