| dc.contributor.author | Herminingrum, Sri | |
| dc.date.accessioned | 2026-06-02T00:55:50Z | |
| dc.date.available | 2026-06-02T00:55:50Z | |
| dc.date.issued | 2012-08-10 00:00:00 | |
| dc.identifier.issn | 2302-9269 | |
| dc.identifier.issn | 0852-0801 | |
| dc.identifier.uri | https://jurnal.ugm.ac.id/jurnal-humaniora/article/view/998 | |
| dc.identifier.uri | 10.22146/jh.998 | |
| dc.identifier.uri | http://digilib.fisipol.ugm.ac.id/repo/handle/15717717/85109 | |
| dc.description.abstract | The dynamics of Black women's life, from Slavery Era to Women Rights Movement in 1980-s, highlighted by Morrison in The Bluest Eyes, Sula, Song of Solomon, Tar Baby, Beloved, Jazz, Paradise, and Love is cultural expression which is in a non-exclusive territory. By applying interdisciplinary approach - integrating theories and perspectives of some disciplines, including the intersectional zone of the study of gender, sexuality, race, and ethnicity - to research these eight novels, it was discovered that there are four points engendering Black women regarded as 'other'. (1) Mother-centered culture practice. (2) Double lives for racism and sexim. (3) The impact of White culture invasion. (4) The struggle for building self dignity. | |
| dc.format | application/pdf | |
| dc.language.iso | eng | |
| dc.publisher | Faculty of Cultural Sciences, Universitas Gadjah Mada | |
| dc.relation.uri | https://jurnal.ugm.ac.id/jurnal-humaniora/article/view/998/829 | |
| dc.rights | Copyright (c) 2012 Sri Herminingrum; http://creativecommons.org/licenses/by-sa/4.0 | |
| dc.subject | - | |
| dc.title | Four Criteria for Labeling Black Women and Their Community as 'Others' in Toni Morrison's Novels | |
| dc.type | Article | |
| dc.identifier.oai | oai:jurnal.ugm.ac.id:article/998 | |
| dc.journal.info | Humaniora; Vol 22, No 3 (2010); 231-240 | |
