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dc.contributor.authorSetyobudi, Imam
dc.contributor.authorAlkaf, Mukhlas
dc.date.accessioned2026-06-02T00:56:34Z
dc.date.available2026-06-02T00:56:34Z
dc.date.issued2012-08-10 00:00:00
dc.identifier.issn2302-9269
dc.identifier.issn0852-0801
dc.identifier.urihttps://jurnal.ugm.ac.id/jurnal-humaniora/article/view/1008
dc.identifier.uri10.22146/jh.1008
dc.identifier.urihttp://digilib.fisipol.ugm.ac.id/repo/handle/15717717/85117
dc.description.abstractThe dancers whose totally use their body and gesture explore their art-life experiences as well as to visualize their art form are always interrelated with the relation of knowledge and power. It is inclution whereas the dancers are belong to. This paper will focus on the issue of feminism in the field of the anthropological discourse as one of the Indonesian dances approach analysis. Even though it is not directly explaining how to operationalize feminism in analyzing the dances rather than serving an alternative perspective toward an older perspective in which tend to very masculine perspective.
dc.formatapplication/pdf
dc.language.isoeng
dc.publisherFaculty of Cultural Sciences, Universitas Gadjah Mada
dc.relation.urihttps://jurnal.ugm.ac.id/jurnal-humaniora/article/view/1008/837
dc.rightsCopyright (c) 2012 Imam Setyobudi, Mukhlas Alkaf; http://creativecommons.org/licenses/by-sa/4.0
dc.subject-
dc.titleAntropologi Feminisme dan Polemik Seputar Tubuh Penari Perempuan Jaipongan menurut Perspektif Foucault
dc.typeArticle
dc.identifier.oaioai:jurnal.ugm.ac.id:article/1008
dc.journal.infoHumaniora; Vol 23, No 1 (2011)


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